Arriving
at the floating reed islands of the Uros I felt as if I had entered another
place in time. It was mid-day and the sun beat heavy. The golden reeds which
blanketed the ground and the houses stood out intensely against the blue sky
and the deep indigo water. Stepping onto the islands I felt a wave of motion as
the entire island moved with the water, it was subtle sensation I had
never felt and it immediately brought my awareness to my body and the
surroundings. As I looked around I noticed the brightness of the colors of their
clothes and the stout figures of both the women and men. As we sat in the
center of the island we could see water on all sides, an elderly woman sat on
the ground watching from a distance as the leaders of the community welcomed us
and gave a theatrical presentation on how the islands were created and the
politics of the community. I was amazed and inspired by the creative power
these people held as they had created everything around them, from the clothes
they wore to the ground they walked on.
Yet
somehow I was saddened by the experience. I felt sad to be a tourist who comes
with nothing but money to offer, to be part of the industry that is polluting
their environment, to be part of the reason why communities like this now rely economically on industries
like tourism. While it was a surreal experience for myself and my senses, having
never felt the movement of the waves so intimately or seen such human
ingenuity, I became aware that this was very real, this was these people’s
reality and they were learning how to adapt and part of this adaptation was to
open their homes to strangers and sell their crafts to consumers.
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me and Daniela, age 13 |
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Daniela with the textile she was working on. The textiles all depicted stories of family and community life on the islands. |
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Daniela and her mother. |
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Model made by the leaders of the community depicting how the islands are made and how the reeds are used as materials for building and sustenance for the people. |
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Young boys fishing in the reeds. |
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